A B O U T   M E

I'm Nick Kelly, one of many Nick Kellys out there in the world wild web, but I'm the only ME that you'll ever know, and most folx are thankful for that. I'm a musician, a writer, an artist, a motorcycle rider, a hockey fanatic, a horror movie lover, a father, a husband, a son, and an overall lunatic. I've got some good stories so far on this wild ride I've called life and more comin' seemingly everyday, so hang out, pour yourself one up to the brim, and buckle up for safety. It's going to be a fun ride. more

M Y   R E A L I T Y

C R E A T I V E S

The 'Singles' Scene

The 'Singles' Scene

Division band meeting last night which meant a lot of administrative stuff, some jockeying for action items, reviewing schedules, etc. The interesting part was the philosophy discussion on marketing a band's release schedule in the modern, digital age. There are two conflicting views. Let me explain both.

First, the traditional album (or CD or cassette) model; go into the studio, record 10-12 songs and release them as an entire album with flow, potential an underlying theme and maybe even a story that weaves all the songs together.

Second, release songs as they're completed, one at a time or in smaller groups, so that they become more easily accessible and the band stays on the charts or in the minds of fans more consistently.

The problem with the first model is that fans who want to buy the song that they love must buy the disc. The proponents of digital distribution call this the "two good songs cost you $17 at Best Buy" model. The issue with the latter model is that the band becomes a singles band. The album flow is gone (and Noodles argued that it has been dying since CD's were released and people could skip songs without effort). The band may release three songs at a time, but (as Mike pointed out), going back and listening, the band repeatedly writes the same three or very similar songs.

There is a happy medium between the two models and that's where Division is at the moment. We'll be researching and experimenting with different distribution models until we have our happy hybrid approach. We'll also be playing live @ JAXX Nightclub with Evergrey on May 27th. That's going to be a lot of fun.

So, from all that discussion, here's today's question. Did you ever buy an album or a cassette and listen to it for a specific song? I'm guessing you have. If you listened to a few songs to get up to the one you were hoping to hear, did any of those other songs become your favorite later on?

If the answer is yes, I'd love to hear specifics (and so would the proponents of the album model). Stay tuned this week for a guest you won't want to miss.

One love,

nK

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Bleak before bleak was cool

Bleak before bleak was cool

Lords and Ladies of the Court,

The following is a list of words which I could go decades without hearing. Please adhere to these rules and refrain from usage of these terms until this decree has been lifted:
"economic downturn", "financial crisis", "bailout", "stimulus package"*, "layoffs"**,"foreign dependency" and "recession".

*(including all emails about male enhancement and discount adult DVDs)
**(unless in the context of the Good Times theme song....R.I.P. Esther Rolle)

I've heard them all, and I've heard them enough. Including these terms in every conversation does nothing to promote positive thinking, and keeps everyone miserable. So, that's it. They're gone from my vocabulary until I'm talking to my grandkids about the horrors of the early 21st Century.

I like bleak. I like dark. I like ominous. (I also like spicy tuna rolls, but I digress). I was fortunate enough to receive a pre-release copy of Jack Kilborn's novel, "Afraid". It is all these things in abundance. I'll get my horror and suspense from great writing and great music. That's enough for me. Besides, the characters in "Afraid" are much more likeable than talking heads like Wolf "Show me the burning bodies" Blitzer.

Horror has played a large influence on my writing, both as a novelist and as a lyricist. As we continue the vocal sessions on the upcoming Division CD, "Control Issues", I'm delighted to dig into the macabre and sadistic. This CD is largely a compilation of stories, each of which has its origins in something dark and frightening. Some folks use music to help them write (myself included). In this case, I've used books and movies to help me write the music that inspires books and movies. Art comes full circle, and in this case, that circle has burning candles and chants to evil spirits involved.

I hope to have some great new tidbits of information to you this month about music, writing, writers and some special announcements. "Control Issues" is still being created. If you'd like to hear some of the songs performed live, check out the Division site for show details.

In the meantime, stay so black that people may ask "how much more black could this be? and the answer is none. None more black. " as Nigel would say.

One love,

nK

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Recording: Psychosis, Pin-Up Models and Profanity

Recording: Psychosis, Pin-Up Models and Profanity

Just arriving home after another solid recording session for the upcoming Division CD, "Control Issues". Mike (Blevins) and I had three uninterrupted hours to bang through material and, other than the threat of snow and making one another laugh, we managed to stick to the schedule.

Maybe it's coincidence, or maybe not, but the last two songs that I've gone in to record are both songs about a slow and steady descent in which the person singing the song crosses over from normal to psychopath. Mike, who is engineering the disc, was really helpful with some ideas on how to deliver melody lines, how many harmonies lines to have and how hard to hit them. I think his guidance has helped to deliver more of the 'slow burn' journey instead of me just delivering each line as hard as possible. He really understands dynamics, and probably missed his calling. He could be a great director in Hollywood...in the demented, Kubrick, "no you can't go to the bathroom" kinda way.

Today's song was ".45 Intent", about a young man who gets the girl of his dreams only to find out she's not what he wanted at all. It's sort of like "Blind Date" meets "The Tell Tale Heart". The entire song came from a line that crept into my head while I was at a goth bar in Louisville: "In this bar surrounded by the ghosts of Bettie Page". The pin-up queen has since left this life and I'm not sure if that's profound or I just sort of want it to be as an artist.

The song also features optimal placement of the F word. Shocker.

Division is performing in two short weeks at The Broad Axe in Hagerstown, MD. March 14th will be our first trip to the place and we welcome anyone who wants to come down, check out the new tunes and have a drink. Till then, back to work, slackers! Be careful in the snow!

One love,

nK

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